Once you have cut it out, press V to return to the Arrow tool, select the clip and press delete to remove it. You will most likely be using the Razor tool to delete a section of your footage. You can now treat them as two separate clips. Select the tool (Press C on your keyboard) and click on a clip in the timeline where you wish to make a cut. The Razor tool does what it says it splices one clip into two. If you want to lengthen a clip in the middle of the timeline, select the Ripple Edit tool first (Press B on your keyboard), this will move the remaining clips as well, extending the timeline.
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If you want to trim the end of a clip, you can grab the end and drag it out, but you will only be able to do this if there is free space for the clip to be extended. Instead, hold Command as you drag and drop, and the remaining clips in your timeline will move to make space for the new clip. If you need to add a new clip to the middle of your timeline, dragging and dropping it will overwrite the clip you are placing it on. Now you have a skeleton version of your video in Premiere Pro, you can move on to the more delicate details of cutting and trimming. To add audio or video only, drag the clip from one of the icons at the bottom of the Source Monitor. To add both video and audio to your timeline, drag and drop the image as we have shown you above. The Source Monitor allows you to drag video, audio or both to the timeline, which can be extremely helpful if, for example, you are just adding B-Roll to a talking head. You can return to your Project Panel at any time to import or select other clips. Go through all your clips gathering your footage on the timeline, reordering the clips as necessary, doing this will create a skeleton version of your film, so don’t worry about being too precise at this stage. If you wish to use another section of the same clip, return to the Source Monitor, reset the In and Out points and drag the new selection on to your timeline. Once you set your In and Out markers, you can drag the clip from the Source Monitor to the timeline, creating an edited clip of your selection. To create an out point, repeat the process using the ‘Mark Out’ button (O on your keyboard). You can change this marker by simply resetting the playhead and re-clicking the ‘Mark in’ button. In the Source Monitor, set your playhead to the point you want the section to start from, and use the ‘Mark In’ button to place a marker on the clip (I on your keyboard). Marking your clips saves a lot of time and prevents your timeline from becoming cluttered with the footage you don’t need. The In and Out points are the markers you add to the parts of a clip you wish to use. If you select a clip and drag it to your timeline, the entire clip will be moved, including any bits you don’t need. Alternatively, if the Source Monitor is highlighted, you can press the space bar to start and stop the clip. Play through your original clips by pressing the play button in the Source Monitor. Double click on a clip to review it in the Source Monitor.
In the Edit Screen, you will see all of your imported media in the Project Panel.
Once you have imported all of your media, you are ready to begin selecting the parts of the clips you wish to use.
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TimeTools has revolutionised techniques for reality TV production using camcorders like Panasonic AG-DX100A, and Canon XL1, and offers the same flexibility in the future for low cost HD camcorders and DSLRs used for Hi Definition reality TV shows.Ĭlick here to read about a reality tv case study, which implimented the Gallery TimeTools workflow.How to Cut Clips in Premiere Pro CC Using the Source Monitor In addition, the captured video material will have timestamps matching audio you might have recorded, with a timecoded multichannel audio recorder such as Metacorder.
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The software is designed to allow users to integrate multiple semi-pro camcorders and DSLRs with no timecode facilities, into a fully synchronised multicam workflow for QuickTime based NLEs such as Final Cut Pro and Premiere - it does this by allowing users to record audio LTC onto an audio channel of the camcorder, which TimeTools then decodes into a QuickTime timestamp, read by the NLE.įollowing the 'TimeTools process', all the QuickTime movies will have coherent timestamps to match shots. TimeTools is a unique innovation from Gallery which delivers low cost multi-cam video production workflows.
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